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Adobe after effects cs5 free full version free
- Adobe after effects cs5 free full version free
Transform moving images for delivery to theaters, living roomspersonal computersand mobile devices. Now that After Effects has switched to versiln bit code, it can take advantage of as much memory as you can throw at it. This will provide a significant workflow boost, как сообщается здесь help After Frre to win even more friends in the world of film production.
Complementing axobe expanded RAM capabilities is integrated memory management, where you can allocate how RAM is apportioned between the Adobe apps running adobe after effects cs5 free full version free your system, and how much is left for other software. You can also enable background multi-processing, giving each core its own memory segment, although this adobe after effects cs5 free full version free only advisable when there's lots of RAM available, as it reduces the overall total available when previewing.
Another benefit of sharing the same underlying playback engine as Premiere Pro CS5 is that format support mirrors the more mainstream editor, so includes virtually all of the latest types of footage. This allows you жмите adjust settings in a similar fashion to photographic RAW files, only more. So you can configure how colour, decoding, white balance and even ISO setting are interpreted, without affecting the original file.
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Adobe After Effects CS5 Full Version Free Download
All Off the default setting does not render guide layers. Guide layers in nested compositions are never rendered. See Guide layers. Current Settings default uses the project bit depth.
See Color depth and high dynamic range color. Frame Blending. On For Checked Layers renders frame blending only for layers with the Frame Blending switch set, regardless of the Enable Frame Blending setting for the composition. See Frame blending. Field Render. Determines the field-rendering technique used for the rendered composition.
Choose Off if you are rendering for film or for display on a computer screen. See Interlaced video and separating fields. Specifies the phase of pulldown. See Introduce pulldown. Current Settings uses the current settings for the Motion Blur layer switch and the Enable Motion Blur composition switch.
On For Checked Layers renders motion blur only for layers with the Motion Blur layer switch set, regardless of the Enable Motion Blur setting for the composition. Off For All Layers renders all layers without motion blur regardless of the layer switch and composition switch settings. See Motion blur. How much of the composition to render. To render the entire composition, choose Length Of Comp. To render only the part of the composition indicated by the work area markers, choose Work Area Only.
To render a custom time span, choose Custom. See Work area. The sampling frame rate to use when rendering the movie. The actual frame rate of the composition is unchanged. The frame rate of the final encoded movie is determined by the output module settings.
See Frame rate. Skip Existing Files. Lets you rerender part of a sequence of files without wasting time on previously rendered frames. When rendering a sequence of files, After Effects locates files that are part of the current sequence, identifies the missing frames, and then renders only those frames, inserting them where they belong in the sequence. You can also use this option to render an image sequence on multiple computers.
See Render a still-image sequence with multiple computers. The current image sequence must have the same name as the existing image sequence, and the starting frame number, frame rate, and time span must be the same.
You must render to the folder that contains the previously rendered frames. Output module settings apply to each render item and determine how the rendered movie is processed for final output. Use output module settings to specify file format, output color profile, compression options, and other encoding options for final output. You can also use output module settings to crop, stretch, or shrink a rendered movie; doing this after rendering is often useful when you are generating multiple kinds of output from a single composition.
Output module settings are applied to the rendered output that is generated according to the render settings. For some formats, an additional dialog box opens when you choose the format in the Output Module Settings dialog box. You can modify these settings and use settings presets to specify format-specific options, such as compression options. You can apply multiple output modules to each render item, which is useful when you want to make more than one version of a movie from one render.
For example, you can automate the creation of a movie and its alpha matte, or you can create high-resolution and low-resolution versions of a movie.
Before rendering, check the Audio Output settings in the Output Module Settings dialog box to ensure that they are correct. To render audio, Audio Output must be selected.
If your composition does not include audio, do not select Audio Output, so that the size of the rendered file does not increase needlessly. You can set the output module of multiple render queue items at the same time. Select the render queue items, and then choose an output module template from the Output Module Settings menu for one of the items. You can drag an output module to the Project panel to import the finished movie or a placeholder into the project for use as a footage item.
Andrew Kramer provides a video tutorial with tips for working with proxies, output modules, and output module templates on the Video Copilot website. You can choose a custom output module settings template or one of the preset output module settings templates. Several templates are provided, including the Lossless template for creating movies for transfer to video, film, or an NLE system. The default output module settings template is assigned to a render item when it is created.
To change which output module template is the default, hold down Ctrl Windows or Command Mac OS as you choose an output module template from the menu. To change output module settings for multiple output modules at once, select the output modules and then choose an output module template. The template is applied to all selected output modules. You perform the following tasks in the Output Module Templates dialog box. For information on using controls in the Color Management area of the Output Module Settings dialog box, see Assign an output color profile.
Include Project Link. Specifies whether to include information in the output file that links to the source After Effects project. When you open the output file in another application, such as Adobe Premiere Pro, you can use the Edit Original command to edit the source project in After Effects.
Specifies whether to include XMP metadata in the output file from the files used as sources for the rendered composition. XMP metadata can travel all the way through After Effects from source files, to footage items, to compositions, to rendered and exported files. Post-Render Action. Specifies an action for After Effects to perform after the composition is rendered. See Post-render actions. Format Options. The output channels contained in the output movie. Not all codecs support alpha channels.
Therefore, you do not have to specify an alpha interpretation each time you import an item created in After Effects.
Specifies the color depth of the output movie. Certain formats may limit depth and color settings. Specifies how colors are created with the alpha channel. Choose from either Premultiplied Matted or Straight Unmatted. See Alpha channel interpretation: premultiplied or straight. Specifies the number for the starting frame of a sequence.
The Use Comp Frame Number option adds the starting frame number in the work area to the starting frame of the sequence. Specifies the size of your output movie.
Select Lock Aspect Ratio To if you want to retain the existing frame aspect ratio when resizing the frame. See Scaling a movie down and Scaling a movie up. Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie. Use positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export only the region of interest selected in the Composition or Layer panel.
See Region of interest ROI. By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field order.
Audio Output. Specifies the sample rate, sample depth 8 Bits or 16 Bits , and playback format Mono or Stereo. Choose a sample rate that corresponds to the capability of the output format. Choose an 8-bit sample depth for playback on the computer, and a bit sample depth for CD and digital audio playback or for hardware that supports bit playback.
The specifications for some formats impose limits on audio parameters. In such cases, audio options may be unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the export settings dialog box for that format.
Click the warning icon to see a detailed message that describes how the output file will be modified to meet the format constraints. You can go back and change composition settings, render settings, and output module settings if you don't want After Effects to make the changes automatically in the output module.
For more information about output module constraints and the warnings for mismatches in frame rate, dimensions, and pixel aspect ratio, see the Adobe website.
Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively. Compression is achieved by an encoder; decompression is achieved by a decoder. Encoders and decoders are known by the common term codec. No single codec or set of settings is best for all situations. For example, the best codec for compressing cartoon animation is generally not efficient for compressing live-action video.
Similarly, the best codec for playback over a slow network connection is generally not the best codec for an intermediate stage in a production workflow. For information on planning your work with final output in mind, see Planning your work. After Effects uses an embedded version of the Adobe Media Encoder to encode most movie formats through the Render Queue panel. For most output formats, you can specify format-specific encoding and compression options.
In many cases, a dialog box opens and presents these options when you choose a format to export to or click the Format Options button in the Output Module settings dialog box. See Output modules and output module settings. Key Frame Every. In QuickTime terminology, the term key frames refers to something different from the change-over-time keyframes placed in the After Effects Timeline panel. In QuickTime, key frames are frames that occur at regular intervals in the movie.
During compression, they are stored as complete frames. Each intermediate frame that separates them is compared to the previous frame, and only changed data is stored. Using key frames greatly reduces movie size and greatly increases the memory required to edit and render a movie. Shorter intervals between key frames enable faster seeking and reverse playback, but can significantly increase the size of the file.
Frame Reordering. Note : For more information on QuickTime, see the Apple website. You can use post-render actions to automate simple tasks that occur after a composition is rendered. Imports the rendered file into the project and substitutes it for the specified item. Drag the pick whip to the item to replace in the Project panel to specify it. For example, you can set one render item to use a watch folder and multiple computers to create a still-image sequence, and then the next render item can render a single movie file from that still-image sequence.
See Network rendering with watch folders and render engines. Sets the rendered file as a proxy for the specified item. Drag the pick whip to the item in the Project panel item to specify it.
Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Rendering and exporting overview. What is rendering? Note : See Project settings for more information about project settings that determine how time is displayed in the project, how color data is treated in the project, and what sampling rate to use for audio.
See Composition settings to learn how you can specify composition settings such as resolution, frame size, and pixel aspect ratio for your final rendered output. You might need a movie file for the following reasons:. You need a compressed movie that will be played on the web, or used for DVD or Blu-ray disc. Render and export with the Render Queue panel. Manage render items. Render settings determine the following characteristics: Output frame rate Duration Resolution Layer quality Output module settings—which are applied after render settings—determine post-rendering characteristics such as the following: Output format Compression options Cropping Whether to embed a link to the project in the output file You can create templates that contain commonly used render settings and output module settings.
Using the Render Queue panel, you can render the same composition to different formats or with different settings, all with one click of the Render button, for example: You can output to a sequence of still images, such as a Cineon sequence, which you can then transfer to film for cinema projection. Render and export a movie using the render queue. Select the composition from which to make a movie in the Project panel, and then do one of the following to add the composition to the render queue:.
OR Drag the composition to the Render Queue panel. Choose a Log type from the Log menu. Click the Render button in the upper-right corner of the Render Queue panel.
Render queue panel options. Render Queue panel with render information. The Render Queue displays the following information: Info button - It displays information such as concurrent frames rendering depends on the quality , time taken by current frame, start frame, and the end frame. The info button. Elapsed - Time already taken while rendering. Remaining - Time remaining for the render to complete. Estimated size - Estimated size of the rendered composition. Free space - Remaining free space on your disk.
Render item statuses. Each render item has a status, which appears in the Status column in the Render Queue panel:. The render item is ready to render. The rendering process was stopped. The rendering process for the item is complete. Manage render items and change render statuses. Remove a render item from the render queue change its status from Queued to Unqueued : Deselect the item entry in the Render column.
The item remains in the Render Queue panel. Change the status of a render item from Unqueued to Queued : Select the item in the Render column. Rearrange items in the Render Queue panel : Drag an item up or down the queue. A heavy black line appears between render items, indicating where the item will be placed. Render with a new filename : Choose Duplicate , click the underlined filename next to Output To , enter a new filename, and click Save. Pause or stop rendering. To pause rendering, click Pause.
To resume rendering, click Continue. While rendering is paused, you cannot change settings or use After Effects in any other way. To stop rendering with the purpose of resuming the same render, click Stop. Information shown for current render operations. Message - A status message. For example, Rendering 1 of 4. RAM - Memory available for the rendering process. Renders Started - The date and time at which the current batch of renders was started. Total Time Elapsed - The rendering time elapsed not counting pauses since the current batch of renders was started.
Notify when render queue completes - Check this box to let After Effects notify you via Creative Cloud desktop app and mobile app when your render queue job, or the entire queue is finished rendering. Change the render-complete sounds. Receive remote notifications when render completes.
Render complete notification. Check the Automatically enable notifications when you add a composition to the Render Queue box. You can open this dialog box by clicking the bell icon at the bottom left of the Render Queue panel. In the Render Queue panel, check the Notify box. When the above checkbox is enabled, the Notify box is checked by default. Check the Notify when render queue completes box at the bottom of the render queue panel. Render and export with Adobe Media Encoder.
Note : The output module settings, such as format settings or color channel selection, are not transferred to Adobe Media Encoder when you choose the Queue in AME option. Add a composition directly to Adobe Media Encoder. To add a composition to Adobe Media Encoder, do the following:. Do one of the following:. Add a composition from render queue to Adobe Media Encoder.
To add a composition to the Adobe Media Encoder with render settings for draft rendering:. Choosing formats and output settings.
Supported output formats. Unless otherwise noted, all image file formats are exported at 8 bits per channel bpc. Video and animation formats. Video project formats. Still-image formats. Audio-only formats. Collect files in one location. When you use the Collect Files command, After Effects creates a new folder and the following information is saved in the new folder: A new copy of the project Copies of the footage files Proxy files as specified A report describing the files, effects, and fonts necessary to re-create the project and render the compositions.
Collects all footage files, including unused footage and proxies. Collects all footage files and proxies used in any composition in the project. Copies the project to a new location without collecting any source footage. Select other options, as appropriate:. Selecting this option does not copy the files and proxies.
To add your own information to the report that will be generated, click Comments, enter your notes, and click OK. The comments appear at the end of the report. Click Collect. Name the folder and specify a location for your collected files. Specify filenames and locations for rendered output.
Specify the filename and location for a single render item. To manually enter a filename and destination folder, click the underlined text next to the Output To heading.
To name a file using a file naming template, click the triangle next to the Output To heading, and choose a template from the menu. Create and use a custom file naming template. To add a preset property to the filename, choose the property from the Add Property menu. Enter text in the Template box. Make sure that the insertion point is outside the square brackets [ ] of preset properties. Do any of the following:. To always use the selected file-naming template, select Default.
To apply the selected file-naming template to the current Output Module, click OK. Name output files automatically. Support for paths in templates. Render settings. Change render settings. To change render settings for a render item, click the render settings template name next to the Render Settings heading in the Render Queue panel, and choose settings in the Render Settings dialog box. To apply a render settings template to selected render items, click the triangle next to the Render Settings heading in the Render Queue panel, and choose a template from the menu.
You can choose a custom render settings template or one of the preset render settings templates: Best Settings : Often used for rendering to final output. Draft Settings : Often appropriate for reviewing or testing motion.
Create, edit, and manage render settings templates. To make a new render settings template, click New, specify render settings, and click OK.
Enter a name for the new template. To edit an existing render settings template, choose a template from the Settings Name menu, click Edit, and specify render settings. Fix imperfect footage fast with powerful image restoration tools including Academy Award-nominated Primatte keying tech. Import 3D models directly from Cinema 4D and add resolution-independent animated 2D and 3D titles and lower thirds with ease thanks to Title Studio.
Instantly generate real-time particle effects with Particle Illusion. Track and mask quickly with the integrated Academy Award-winning Mocha planar tracking system. Add transitions that make the cut. Boris FX Mocha Pro. Solve the most difficult motion tracking shots including shots with blurred or occluded objects. Advanced masking tools take the pain out of rotoscoping with fewer keyframes. Replace screens with just a few clicks.
Stabilize shaky footage and correct lens distortion. Particle Illusion. Instantly add preset-driven photorealistic particle effects for titles, lower thirds, and background graphics. Track and mask particles quickly with integrated Academy Award-winning Mocha. It will soon be available as a standalone application with a render engine.
Conoa 3D Twelve 3D geometric primitives rendered with a true raytracing renderer, featuring transparency, texture mapping, shadows, and environment mapping. Six unique plug-ins for adding effects to your film or video. Wrap and unwrap spheres, bend, and flex cylinders and explode cubes. All shapes are rendered with an advanced renderer featuring texture mapping, shadowing, and transparency. All Conoa EasyShapes plug-ins integrate with After Effects' lights and camera, in addition to their own lights and camera.
A Graphic UI is available and the plug-in supports 8-, bit and bit depth. This plug-in allows you to create a vignette on the source clip. Both rectangular and elliptical vignettes are supported. Vignettes can be repositioned and rotated, applied in any color and blending mode available, to the inside or to the outside. Alternatively only the mask can be rendered, replacing the source layer altogether.
In After Effects, only 8 bit and 16 bit depth is supported so far. CyberLink VR Stabilizer. This plug-in works with Premiere Pro and After Effects versions and newer. For over a decade, Delirium has been the standard for essential visual effects, and motion graphics capabilities.
These effects let you inexpensively add greater control and quality to the built-in features of your host application. Damage v2. To all of you who thirst to wreak more havoc, the scores of you who want to take all that is beautiful and render it visual debris, and for those of you who have been writing us about all the electronic carnage you daydream about if only you had a way to do it faster, with more options. All the ancient evil of analog signal defects in Skew and Interference; the modern, coldly unsympathetic digital malfunction of Artifact and Blockade — and now, you can harness the incompetence at the source.
Two new effects in the Damage toolbox — Aged Film, Destabilize and Overexpose — allow you to go back in time and not only corrupt your footage, but also ruin the image of the camera operator. Beauty Box automatically identifies the skin tones and removes blemishes and wrinkles, while leaving important facial details sharp. HD and 4K show more detail than ever, including blemishes and make up problems.
Beauty Box solves these problems and keeps your talent and clients looking great. Flicker Free. Flicker Free is a powerful new way to deflicker video. It solves common problems such as time lapse flicker, slow motion flicker, and rolling flicker caused by LED lights, fluorescent lights, or computer monitors. Various presets deflicker common problems and a few parameters give you the control to easily modify things as necessary.
The results are remarkable, so try the free demo on your footage. DFT Film Stocks is a unique set of filters that simulate different color and black and white still photographic film stocks, motion picture films stocks, and historical photographic processes. Based on their experience in creating special effects for hundreds of feature films, and expertise in film scanning and recording techniques, Digital Film Tools has laboriously researched and analyzed different film stocks to create a set of interesting analog photographic, motion picture and vintage looks for your own projects.
By analyzing brightness, color, tone, detail, grain, and texture of some of the world's greatest movies, paintings, photographs, and historical photographic processes, Digital Film Tools has created a way to apply these looks to your video projects. The color, tone, and brightness of the original work are replicated while the texture, grain, and detail are simulated.
You can also use your own pictures and movies to create and reapply new look profiles. This plug-in allows you to add drama, polish, and style with stunning and realistic light ray effects using volumetric lighting and crepuscular rays.
Add shafts of light streaming through clouds, rays filtering through a forest canopy, beams of light on a foggy night or rays shooting out from text.
Each image is decomposed in three detail layers coarse, medium, and fine which then can be manipulated separately in various ways including sharpening and smoothing. Together with masking this technique is powerful for creating sophisticated masterpieces. Uniquely crafted and powerful video effects and transitions — Ready to improve your video editing projects every day. Essential Transitions. The perfect starter collection of video transitions for Premiere Pro. Spark your creativity and experience blazing fast render speeds.
Lights and Blurs. Instantly apply beautiful blurs, shimmering bokeh's, enchanting glow, and lights to your video.
Drive your story forward. Get soft and elegant video transitions for Premiere Pro. Creating the right mood has never been easier. Express your personal editing style. Energize your cuts with the Film Impact Distortion series. Stylize your transitions and use captivating effects like the kaleidoscope or glass distortion effect. Discover powerful distortion effects like shake, glitch, grunge.
Slice up your video to reveal the next scene. Stretch your clips and dynamically transition into the next clip. Create 3D Rolls and apply 3D transformations to your scenes. A brilliant set of transitions for creating professional logo reveals within minutes. Easily animate using adjustable visual curves like Bounce, Overshoot, and Beziers. The animation series is designed to create dynamic animations quickly. Add a dazzling amount of 3D motion blur to emphasize each movement. Smart Tools.
Discover smart and time-saving editing solutions for Premiere Pro. Stop wasting precious time. Edit faster and be creative! Among them are shine, glow, and sparkle effects with bit and multi-CPU support. Curves is a versatile and precise color correction tool. This plug-in provides more control and accuracy beyond the built-in curves tools in Adobe Premiere Pro, so you can get the most out of this basic tool. Lenscare moves depth-of-field and out-of-focus generation to post-production.
If you need high-quality camera blurs with the flexibility of 2D postprocessing, Lenscare is a great choice. It can get rid of long extra 3D rendering times. The key aspect during the development of these filters was to match the real thing as closely as possible.
Visual effects toolbox with unmatched features and performance. FxFactory Pro effects are accelerated using the graphics card for unbeatable previewing and rendering performance. FxFactory Pro plug-ins ship with many built-in presets, a time-saving feature to try new looks with minimal effort.
Save your own presets to disc and re-create the same look later. Create stunning slideshows. The principle behind Photo Montage is simple: select an animation style and a few of your photos, and let the plug-in do the rest.
Rearranging photos or changing the duration of each can be done in seconds, thanks to an intuitive configuration UI. Ease of use does not imply limited functionality. A full array of effect parameters allows expert users to create unique animations. Create the photo animation style made popular by Ken Burns. Achieve stunning results without a single keyframe.
Flickering is a common problem in time-lapse or stop motion footage captured using a digital still camera. Frame by frame variations in lighting or in exposure lead to perceptible brightness fluctuations, or flicker. Decimal Counter. The color spill of the background photographed with the subject is automatically adjusted to match the composite image, and variations and shadows due to uneven lighting can be cleanly removed.
Rendering is as natural as it can be for curved glass surfaces like wine glasses and transparent liquids. It allows users to add a stereoscopic 3D effect to text subtitles created on their stereoscopic 3D video.
Parallax can be adjusted, and operation is easy. Not only text but also any 2D graphics can be stereoscopic 3D video. ISP 3D Preview, included in the product, allows users to quickly check how the effect would be seen. It allows users to remove false color, which is a destiny of videos shot by DSLR cameras equipped a large sensor.
Even though there are many reasons to produce false colors, the answer is here. By applying this plug-in, any false colors get corrected to true color, even night scenes. It allows users to add an HDR effect in videos by applying this plug-in. Or expand their creativity by adjusting parameters only three to get a taste of results from supernatural to superartificial.
Levels and Curves. Film Transitions. Elements 3 Ultimate. NewBlue Elements 3 Ultimate includes over presets in 21 video effects that simplify multi-step compositing tasks. Easily generate split screens and drop shadows. Add a viewfinder overlay and key green screen footage inside your editing application.
Essentials 3 Ultimate. NewBlue Essentials 3 Ultimate includes over presets in 24 workflow-enhancing video effects that stabilize shaky footage, remove flashes, and sharpen details in an essential go-to toolkit. Designed to address everyday post-production needs such as color correction or stabilization, you find life-saving tools like Noise Reducer, Lens Corrector, Stabilizer and Flash Remover, or image enhancers such as Skin Touch Up, Detail Enhancer and more.
NewBlue Filters 3 Ultimate presents over presets in 22 video effects to instantly enhance video through an array of distinctive looks like Fish Eye and Day for Night, and color enhancers such as Colorize and Selective Tint. You can do these without sacrificing efficiency. Stylizers 3 Ultimate. NewBlue Stylizers 3 Ultimate features deliver colorful and imaginative art, paint, and light effects in over presets in 23 imaginative video plug-ins.
Discover rich painting styles with Cartoonr, Air Brush, and Watercolor. Use light-oriented effects, such as Neon Lights to Glow Pro for stunning accents and atmosphere. And explore the boundaries with surrealistic filters like Metallic, Impressionist, and Paper Collage. From impressionist styles to energetic blurs and flickers, you always find the perfect look with NewBlue Stylizers 3 Ultimate.
Transitions 3 Ultimate. NewBlue Transitions 3 Ultimate features over presets in 37 plug-ins that provide cutting edge video transitions of 3D, light, color, and motion to deliver stunning scene-to-scene cuts. From Cartoonr Plus to Color Wash, Neon Lights to Metallic, Shake to Shredders and much more, you can engage your audience with this comprehensive collection of unique, stylized video transitions for every mood or circumstance. Create colorfully retro and metallic images with Duochrome, or simulate a drawing at the end of one scene that morphs into the next with Colored Pencil.
Whatever you choose, count engaging your audience with this comprehensive collection of unique, stylized video transitions for every mood or circumstance. NewBlue TotalFX delivers over presets in plug-ins in the most sweeping collection of titling, transitions, and video effects available. This premium, all-encompassing suite of professional tools tackles practically every editing task hands-down. DissolveMaster is a great enhancement even if you are a "cuts and dissolves" editor, providing subtle ways to lead your audience's eye within a scene using the unobtrusive, clean aesthetic of the dissolve transition.
SpiceMaster also can organically animate any effect or key in Premiere, using the power of all your other effects built in or third party. You also can organically animate titles, picture-in-picture effects, backgrounds, and graphics. SpiceMaster gives you complete creative control over all effect parameters, and thousands of instantly useful presets.
Subtle motion acceleration and transparency changes in all the transitions provide an amazingly natural look. These 11 affordable effects plug-ins provide hundreds of fresh, aesthetic video effects for Premiere users. CreativEase includes color, blur, depth, grain, and time-based effects -- all customizable. CreativEase also can quickly and easily solve everyday editing problems, such as selective softening to remove facial blemishes; creating beautiful dreamy looks; generating color-accurate cartoon animation directly from video; producing glossy 3D titles; adding subtle film looks and film grains; cropping frame edge noise without image distortion; and more.
FilmTouch 2 Pro. A wide range of controls can fine-tune color subtleties -- or build a freshly evocative look from scratch. A large, visual Effects Browser enables you to easily compare and choose presets interactively.
Blur-Sharpen Tools. Includes many customizable controls, powerful randomization features, and easily-adjustable masking to place the blur exactly where desired. Smart Blur Pro's blur effects retain scene details; likewise Smart Sharpen Pro sharpening minimizes artifacts.
Both include unique masking controls to easily apply the effect only where desired. All feature a large visual Effects Browser. Adorage is the ultimate special effects library, with more than 17, effects in 13 effects volumes, offering endless possibilities with the shortest learning curve.
Simply select an effect and Adorage does the rest. Windows only. Mercalli V2 Pro. This is available on both Windows and macOS. VitaScene V2. Denoiser removes unwanted noise grain and artifacts from your footage while leaving the details intact for great-looking results, regardless of shooting or lighting conditions. Use smart default settings that give speedy smoothing, or dial in advanced options that treat more difficult clips. Knoll Light Factory. Create high-fidelity simulations of light effects called flares, which simulate reflections from a bright light source as seen through a camera's lens.
With Knoll Light Factory 3, you get new features like realistic flare elements, time-saving animation behaviors, a redesigned interface, and over beautifully designed presets. Magic Bullet Looks. Magic Bullet Looks brings professional color finishing to any project, fast.
Pro presets and camera-inspired tools make it easy to get the look you want. Magic Bullet Mojo. Mojo gives you this modern Hollywood look in seconds, with easy customizable controls to suit any footage. Magic Bullet Colorista II. Colorista II brings the power of high-end color systems to your desktop. For the first time, you can perform professional color grading in your favorite editing applications and move between them with consistent, quality results.
Use the 3-Way Wheels for easy adjustment of balance and luminance, a powerful new Keyer for precision editing, and Power Masks to isolate an area for perfect finishing. Cosmo is your secret weapon for perfect HD closeups, glamor shots, and age reduction in onscreen talent. Make a year-old model, a something actress, and a plus executive look equally terrific — and even better than she had imagined possible — with this quick, professional cosmetic cleanup tool for your video footage.
Cosmo smooths skin tones, softens problem areas, and fixes blemishes with simple beauty sliders powered by our Colorista II technology. Start with ordinary interlaced video and apply Magic Bullet Frames' sophisticated algorithms.
You instantly get the smooth, professional, deinterlaced look of 24p film. Choose between motion-adaptive and field-blended approaches for high-quality footage at high speeds, right in your editor's timeline.
Magic Bullet Instant 4K. Choose from a list of preset resolutions to easily integrate HD video into your next 4K production. Magic Bullet Quick Looks. Quick Looks is a light version of our full Looks tool with the same speed and quality at a lower price. You can define the style of your video or film by choosing from plus look presets to help set the mood for everything from a wedding to the next Sundance original.
Magic Bullet LUT Buddy was designed for the professional colorist and bridges the gap from desktop applications to high-end systems and hardware boxes. Magic Bullet Colorista Free. Free product. Set your colors free. Magic Bullet Colorista Free is a simplified, elegant color corrector that anyone can share and use.
You get exactly what you need with basic controls designed by experienced colorists, like the 3-Way Wheels from our popular Colorista II and numeric sliders for precise numerical accuracy. Red Giant Presto is a time-saving tool that quickly turns a live presentation event into a high-quality video.
Presto imports a timeline with footage of the presenter into your editing application and matches it to the original presentation slides. And presto! PluralEyes 3 syncs audio and multi-camera video automatically, preparing your sync in seconds rather than days. This stand-alone application works directly with Premiere Pro. Monitor the sync with an interactive timeline and visual feedback, and use built-in fine tuning controls afterward. Version 3 is up to 20x faster than PluralEyes 2, and works with a variety of file formats and codecs.
Trapcode 3D Stroke. With 3D Stroke, paths, logos, or lines can take on lives of their own — glowing, tapering, and moving in complex ways through 3D space, while a built-in camera lets you capture the action from any angle. It's broadcast TV's secret weapon for animated logos and sophisticated write-on effects. Trapcode Shine. Create compelling light effects without leaving your editing timeline, and without the tedious render times of specialized 3D applications.
Sunshine through clouds, headlights through fog, or horror movie titles: Shine does it all. Choose from 22 powerful presets, or make your own light ray effects from scratch. Trapcode Starglow. Starglow is a fast-rendering multidirectional glow effect. It can be used to create multicolored star-shaped glints similar to effects created by a camera filter.
Each customizable glow consists of up to eight directions, and each direction can be assigned an individual color map and streak length, offering endless possibilities. The powerful plug-ins in Warp give you ultimate control over shadows, reflections, glows, and corner point warps. The Shadow tool renders shadows for text or subjects shot on greenscreen, while the Reflection tool creates mirror-like reflections.
Use Radium Glow to add sophisticated glows and glimmers to any project. The Corner Pin tool heightens realism in any scene with advanced features for working with warped images, importing tracking data from mocha for After Effects, and adding secondary transforms and motion blur.
Red Giant Text Anarchy. Whether you're adding visual background noise, using text as a texture, or flashing words to reinforce a theme, text is an important element of your composition.
Choose from Bezier paths, particle arrays, and matrix-style patterns: Text Anarchy generates the coolest effects while giving you fine typographic control. Also includes the Geomancy Shapes plug-ins. Red Giant ToonIt. Give video footage that sought-after cartoon look easily and quickly with unique algorithms to transform your image into beautiful cartoon shading and lines. Its five plug-ins free you from time-consuming techniques like rotoscoping and hand painting and give precise control over styles, shading, and outlines.
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